Julie
Gilbert Pollard
8616 West Glenrosa Avenue
Phoenix, Arizona 85037-1814
623-849-2504
e-mail:
JulieGilbertPollard@cox.net
website: www.JulieGilbertPollard.com
Hello and thank you! I truly appreciate
being asked to be your featured artist for October! Scrolling back through your
Waterfront Blog I see you have had a wonderful variety of styles and subject
matter from talented and skilled painters, each so distinctive, their work
beautiful and beguiling – truly unique. Isn’t that what makes ART so awesome, that it’s
a unique, individual expression of an artistic personality. We all have that
artist’s soul within us, that desire to produce a work of beauty. Regardless of
our skill level thus far attained, we all have an elusive mental image of what we
wish to express in paint. Our skills must “catch up with” that vision! That’s
where I am – still trying to attain a skill level high enough to enable me to
paint what I see in my mind’s eye. A carrot on a stick dangling before my
artist’s eye!
I like to define my style as “painterly
realism”, and am always aiming for loose, fluid brushwork that’s beautiful
regardless of whether or not it describes the subject – yet at the same time,
wanting the subject to be identifiable and important, infused with my own personal concept of reality.
The eye may see as a camera ‘sees’, but the mind’s eye sees an altered,
imagined image, what it wants and hopes to see. It’s that illusive image,
uniquely mine, along with a heightened sense of ‘realness’ that I try to express
in my paintings. This world of ours is often a frightening and mysterious
place, but it’s filled with scenes and subjects that excite my eye and
imagination! The magical allure of the natural world, and my reverence for it,
compel me to attempt to capture its essence on canvas or paper.
In addition to having had my work
represented by numerous fine art galleries over the years – Esprit Décor
Gallery in Phoenix, Arizona currently represents my work – I have been very
fortunate to have written and illustrated two books for North Light: Brilliant
Color (oil and acrylic, 2009) and Watercolor Unleashed (due for
release in 2013) – and to have filmed two Watercolor Unleashed
videos (2011) also with North Light. Additionally, I self-publish Watercolor
Unleashed! The Notebook (a “chapter-at-a-time binder-book”, 2009 through
2012, ongoing), which was the genesis for my “Watercolor Unleashed series”.
My
career has been a joy! I especially enjoy conducting painting classes and
workshops – for a variety of reasons. For one thing, it’s so rewarding to see
that “aha moment” when a painting idea is understood and resonates with someone
for the first time! Painting in and of itself is self-realizing and conducive
to good mental health. However, I feel like I’m doing something more important
when I can participate in helping someone develop their painting talents, the
act of painting so often being a source of pure pleasure and happiness.
For
another, it adds a social element to a very solitary job. I’ve made wonderful
and lasting friendships that could have come about no other way.
One truly exciting aspect of being a
workshop instructor is – believe it – travel!
I’ve been so lucky to have been invited as guest artist instructor for
workshops around Arizona, California, Wisconsin, North Carolina, Florida and such incredible locales as Canada
and Umbria, Italy. About the latter – one of my most exciting painting trips
currently scheduled – openings are currently being reserved for my second workshop
at La Romita School of Art in Umbria, Italy in June 2013. If you are
interested – in that or other workshops – please contact me for additional info
at juliegilbertpollard@cox.net.
A recent addition to my “teaching” activities
is the writing and illustration of “painting tips” e-mails that have proven to
be very popular. If you would like to receive these “tips” – TOTALLY FREE – please send me
your e-mail address. I look forward to sending them to you and making new
painting friends!
The mediums I work with are oil, watercolor
and sometimes, acrylic. Usually my use of acrylic is as an adjunct to either
oil or watercolor. My currently favorite watercolor process begins with a technique
I like to call “watercolor in reverse”, thus-named since it begins with the darkest darks using
acrylic-as-watercolor rather than the more traditional “light to dark” approach.
Watercolor aficionados are usually extremely interested and fascinated by my “watercolor
in reverse” method since it addresses several watercolor issues and is an
exciting, if a bit non-traditional, method. Here is an excerpt from Watercolor Unleashed!
Afraid of the dark?
You are not alone! And if this does indeed describe you, your paintings may
lack value contrast. You may be so nervous about the possibility of ruining the
work that you have labored over that you are afraid to give the painting the
punch that it needs.
So
why not put in the darkest darks first and get it over with? Why not establish
the all-important value pattern before you have invested so much time and
emotional attachment? You probably have learned from painful experience that if
you do this with watercolor, the chances are great that you will need to paint
over these darks at some point, at which time they are likely to dissolve into
and muddy those subsequent washes.
Enter
fluid acrylics—acrylics used as watercolor. When dry, acrylic is no longer
water soluble. You can paint wet
watercolor right over the acrylic and the acrylic won’t budge. The acrylic darks
serve as underpinnings to “lock in” your composition.
Warning...do
not paint with acrylic in an indiscriminate manner if you wish to keep your
painting transparent—acrylic is extremely difficult, if not impossible, to
remove. The fact that acrylic dries waterproof is an advantage because it is
indelible. On the other hand, the fact that acrylic dries waterproof is also a
disadvantage—because it is there to stay! Use acrylic when you are quite sure
that you know where you want it! Once you have practiced this technique enough
to get the hang of it, I advise using it only when it seems clear that there
will be a significant benefit to using it on the particular painting at hand.
If used correctly you will find it to be a wonderful adjunct to your watercolor
“repertoire”.
The
acrylic doesn’t necessarily have to be done as a first step. At any time during
the painting process, when you feel the need for an indelible color, use
acrylic. Again, use with care as it will be there forever!
Not
only does this method get the most intimidating part of painting over with
first, it also solves four other painting problems as well. The darks create a
pattern that unifies the design, they remain clean and sharp rather than muddy,
they open up a range of lighter values, and they create a plan for the painting
that allows you to concentrate on and enjoy the painting process.
Here you see the “acrylic underpinnings” technique
at work in the first stage of the painting. Can you imagine how helpful it was to me to have those very dark areas
established early on?
Incidentally, for those of you who, like
me, indulge in painting with oil as well as water-media, this method is also a
favorite of mine for the beginning stage of an oil painting (my favorite oils
being the water mixable Holbein DUO Aqua Oil) as seen in my first book Brilliant Color.
I love to paint! Each medium has its own
personality – I love to alternate between transparent and opaque mediums. Oil
being my primary gallery medium and watercolor my primary teaching medium, I
have the perfect excuse to use both and can’t imagine being limited to just
one. Back to watercolor – especially an expanded “water-media” version – watercolor
is such an exciting and expressive medium! You can do almost anything with it,
particularly when utilizing the many water based products, brilliant colors, papers,
canvases, grounds, etc. that are available to us. We have access to a veritable
“candy store” of products and options – we are fortunate indeed!
Thanks again for inviting me to
participate in your Waterfront Blog this month.
All
the best painting to you,
Julie
7 comments:
Hi Julie, I paint my darks in first too. What is your favourite subject matter/place to paint?
Ona
Hi Ona,
My favorite subject? That’s easy – rocks, water and flowers – and if I can get all three in one painting I'm a happy painter! Rocks can be anything from river rocks and boulders to ancient buildings with walls of stone and brick – water, gently gurgling creeks to ocean waves – wildflowers in the desert to potted plants on the patio. I once placed a pitcher of flowers in famous Oak Creek here in Arizona and painted the scene in plein air. Now, that was fun!
Hi Julie:
I have been receiving your painting tips by email for some time now, and I save every one and refer back to them often. You are so generous with your help in this way.
Your latest tip on composition is especially helpful, and I am impressed also with your dark to light approach - something I really need to practice.
Thank you so much for joining us.
I forgot to ask about the Watercolor Unleashed! The Notebook series. I cannot locate it on your website.
Thanks,Tony,
I'm glad you like my "tips" - putting them out every week is keeping me on my toes! It's nice to hear about people printing them out. In my classes, I see that they are adding them to my "Watercolor Unleashed Notebook". Do feel free to forward them. RE ordering it, I will send you the info via email. I have never set it up for website purchase though I should do that!
BTW, its original title, Watercolor Unleashed!, has been changed to "WCU! The Notebook" because North Light liked the content and contracted me to do another book for them using the original title, WCU, that is now finished and due for release in March. It will include some of the original WCU content plus a lot more, and of course in a traditional North Light format.
Happy Watercolor Painting to you!
Hi Julie, Thank you for sharing your work with us. I would love to be able to paint water. If there was one trick you could give us for painting it, what would this be?
Katherine
Hi Katherine,
Water is a pretty complex subject so it’s hard to think of just ONE tip - I’ve got at least a dozen! There are so many different facets to consider: mirror-like reflection except on whitewater, transparency, refraction, it being the flattest surface in nature when still, the fact that shadows fall through water not on water unless the water happens to be opaque with solids (muddy water, etc.) or when the water is frothy; the fact that water seeks its own level, therefore flows, splashes, slides, breaks into waves, channels into currents, etc. And there are more! There is so much to consider, but you want your painting to look fresh and spontaneous, not as if you were laboring over each little element and nuance of the confusing scene in front of you. So my tip is this: study all water features until they are internalized - so that your brushstrokes can flow intuitively. You must not only THINK the water, you must FEEL the water. I have spent so many hours sitting by a creek or pond, drawing, painting and absorbing. The payoff is not only in the water knowledge gained but in the pleasure of all those hours!
My North Light video “Painting Cascading Water” and also Chapter 4 of “Watercolor Unleashed Notebook” deal with several aspects of painting water and I’ll be coming out with a chapter on reflections soon. Contact me directly should you wish to receive further information.
I hope you will enjoy painting water scenes as much as I do!
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